By adding rhythm to a passage, anaphora also allows for pleasurable reading which is easier to remember. Yıldırım, Savaş & Kiliçaslan, Yilmaz & Erman Aykaç, R. 2004. In linguistics, anaphora (/əˈnæfərə/) is the use of an expression whose interpretation depends upon another expression in context (its antecedent or postcedent). Here, we rank the best pop culture of 1985. Likewise, “The Chronic,” named after an album created by Dr. Dre, uses anaphora to repeat “& on & on & on” (67) which represents … Anaphora serves to emphasize certain ideas, which can stir up associated emotions and appeal to the audience in order to inspire, convince, or challenge. Overall, as a literary device, anaphora functions as a means of emphasizing words and ideas. In order to emphasize that you are threatening the bully, repeat “You better” at the beginning of the sentence: You better be nice to my friends! Exophors cannot be anaphors as they do not substantially refer within the dialog or text, though there is a question of what portions of a conversation or document are accessed by a listener or reader with regard to whether all references to which a term points within that language stream are noticed (i.e., if you hear only a fragment of what someone says using the pronoun her, you might never discover who she is, though if you heard the rest of what the speaker was saying on the same occasion, you might discover who she is, either by anaphoric revelation or by exophoric implication because you realize who she must be according to what else is said about her even if her identity is not explicitly mentioned, as in the case of homophoric reference). The ranking is debated, some focusing on theta relations (Yıldırım et al. Next time you're watching your favorite television show, take a moment to see if you can spot any clever usage of apostrophes from the characters—you might be shocked at how often this figure of speech is utilized to help actors convey their messages to … "Complement anaphora and interpretation". This is the usual name for this part of the Liturgy in Greek-speaking Eastern Christianity. Like anaphora, epistrophe involves the repetition of a certain phrase or sentence. In a narrower sense, anaphora is the use of an expression that depends specifically upon an antecedent expression and thus is contrasted with cataphora, which is the use of an expression that depends upon a postcedent expression. We think too much and feel too little. For example, the referent of the phrase the Queen (using an emphatic definite article, not the less specific a Queen, but also not the more specific Queen Elizabeth) must be determined by the context of the utterance, which would identify the identity of the queen in question. Until further revealed by additional contextual words, gestures, images or other media, a listener would not even know what monarchy or historical period is being discussed, and even after hearing her name is Elizabeth does not know, even if an English-UK Queen Elizabeth becomes indicated, if this queen means Queen Elizabeth I or Queen Elizabeth II and must await further clues in additional communications. Readers often remember passages that feature anaphora in the way that they might remember refrains in music. They are used to create an emotional effect or emphasis in a speech or writing. Defining Assonance Assonance, pronounced as–uh-nuh-ns , is derived from Latin word sonus which means sound and it is also derived from the Latin phrase assonare which means to answer with the same sound. [7], Both semantic and pragmatics considerations attend this phenomenon, which following discourse representation theory since the early 1980s, such as work by Kamp (1981) and Heim (File Change Semantics, 1982), and generalized quantifier theory, such as work by Barwise and Cooper (1981), was studied in a series of psycholinguistic experiments in the early 1990s by Moxey and Sanford (1993) and Sanford et al. This phrase uses metonymy (pronounced mi-ton–uh-mee), which is a figure of speech that replaces words with related or associated words. 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